The Tampa Tribune — July 10, 2008

Before The Heartbreakers
By Curtis Ross
The Tampa Tribune — July 10, 2008

Photography was always just a hobby for Red Slater.

The amateur’s photographs, though, have appeared in magazines such as Rolling Stone, on television documentaries and in CD anthologies.

In 1969 and 1970, Slater shared a dilapidated farmhouse in north Gainesville with Randall Marsh and Mike Campbell, drummer and guitarist with a local band called Mudcrutch. The bassist was Tom Petty.

Slater’s photographs – some are on display here and at his Web site, www.redslater.com – capture the young band rehearsing, performing and sometimes just goofing off.

The abode he shared with Marsh and Campbell – splitting the $75-a-month rent three ways – became known as Mudcrutch Farm, site of the Farm Festivals that Mudcrutch staged and headlined. The festivals, which also featured other local and regional bands, drew crowds large enough that Marsh and Campbell eventually got evicted.

Slater had left before then to finish his engineering degree at the University of South Florida. But he remained friendly with the band and shot photos of them until 1974, when Petty headed to California.

Petty, Campbell and keyboardist Benmont Tench (a later addition to Mudcrutch) eventually teamed with bassist Ron Blair and drummer Stan Lynch to form Tom Petty & the Heartbreakers, one of rock ‘n’ roll’s most long-lived and respected bands.

Did Slater have an inkling that some of his subjects were heading for superstardom?

“No,” he answers quickly. “I’ve got to be honest. But when I look back on that time, I think it’s because Tom was focused. He had a direction.”

Petty reformed Mudcrutch – with guitarist Tom Leadon, Campbell, Marsh and Tench – to finally record the band’s self-titled debut album. It was released in April.

Slater, who now lives near Dade City, says it’s a good representation of what you would have heard nearly 40 years ago.

“When Tom brought back in Leadon and Marsh, and Tom got back in bass, it all jelled,” Slater says. “They had played so much back then that it all resurfaced.”

Slater’s name may be known only to the most devoted Petty fanatics, but during life on the farm, he wielded power over the band, quite literally.

Slater’s living accommodations were “in the kitchen pantry,” he says with a laugh. “There was just enough room for a single bed and my darkroom setup.”

The house’s fuse box also was there, which came in handy when Slater, the only farm resident with a day job, needed sleep.

The band would come home from a gig and start playing “at 2 or 2:30 in the morning, rehearsing or trying to impress the girls they brought home,” Slater recalls.

“They’d crank the amps up and blow the fuse box,” Slater says. “I remember one night they clicked it a couple of times. I needed some sleep, so when they came banging on the door for the third time, I ignored them and they had to shut down.”

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